Artist: Seong Moy
Medium: color woodcut
Date: c. 1948
All posts by Lawrence Christopher Skufca, J.D.
The Two Faces of Eve
Pedro Brull
Pedro Brull (1938 – Present) is a Puerto-Rican American painter who describes his work as a mix of abstract and impressionism. According to Brull, “You can see the influence of impressionists in my painting, but I change the light. To me that is what changes the form and composition of a painting.”
Brull was born in Puerto Rico in 1938. As a child, He often angered his father by using the walls of the family home as his canvas. Brull’s father became more tolerant of his son’s eccentric habit, after a well respected painter was so impressed with the fourteen year old’s bedroom wall that he offered to sign it. “Having someone famous do that is a form of honor,” Brull explains.
Brull graduated from the School of Fine Arts, Puerto Rico Institute of Culture, where he obtained a degree in fine arts. For many years he was the graphics art director for Telemundo’s WKAQ-TV station in San Juan, Puerto Rico. Throughout his lifetime, Brull has also financially supported himself as a painter, a travel agent and a pastor.
In 1998, Brull moved to Kissimee, Florida, where he found employment with Walt Disney affiliate which creates caricatures for the Disney theme parks. When Disney sponsored an employee exhibit, Brull’s painting was awarded First Prize from Disney’s Animal Kingdom.
Brull is a member of the The Osceola Center for the Arts. His paintings belong to a number of private and public collections throughout New York, Florida and Puerto Rico. His commissioned portrait of Juan Quirindongo is a part of the permanent collection of the Juan Quirindongo School in Puerto Rico. An assortment of masterfully created portraits form a portion of the Casa Alonzo Museum’s permanent collection.
The Sea of Memories
Pedro Brull, oil on canvas, n.d.
Yellow Hat
Norman Lewis, oil on canvas, c. 1936
The Negro in an African Setting
Artist: Aaron Douglas,
Aspects of the Negro Life Series
Medium: Mural at Schomburg Center for Research in Black Culture, NYC, NY (formerly New York Public Library’s 135th Street branch)
Date: c. 1934
An Idyll of the Deep South
Artist: Aaron Douglas,
Aspects of the Negro Life Series
Medium: Mural at Schomburg Center for Research in Black Culture, NYC, NY (formerly New York Public Library’s 135th Street branch)
Date: c. 1934
Apparition of Face and Fruit Dish on Beach
Artist: Salvador Dalí
Medium: oil on canvas
Date: c. 1938
Mulheres Facetadas
Artist: Emiliano Di Cavalcanti
Medium: oil on canvas
Date: c. 1968
The Wedding
Artist: Jacob Lawrence
Medium: egg tempera on hardboard
Date: c. 1948
Jacob Lawrence once wrote, “For me, the most important function of art is observation.” In The Wedding, Lawrence simultaneously depicts the solemnity and the joy of the marriage ceremony. Although the preacher’s face is only partially defined, he appears to look down with great seriousness at the couple as they contemplate their vows. The large, colorful urns overflowing with brilliant flowers signify the happiness of the scene and may also represent the future prosperity of this union.