Corey Barksdale, oil on canvas, n.d.
All posts by Lawrence Christopher Skufca, J.D.
Carnival
Artist: Norman Lewis
Medium: oil on linen
Date: c.1957
“Carnival, has a visual rhythm that looks the way jazz sounds. Skids of blue and mauve jag out from under the white overpainting while shapes in black, orange, and yellow skirt and slide on a vertical axis.”
Charles Schwartz, artobserver.com
Mulata e Pássaro
Artist: Emiliano Di Cavalcanti
Medium: oil on canvas
Date: c. 1967
The Builders
Artist: Jacob Lawrence
Medium: tempera on board
Date: c. 1947
The Builders Series communicates Lawrence’s belief in the possibility of building a better world through skill, ingenuity, hard work, and collaboration. The Builders concept first appeared in Lawrence’s work in the mid-1940s, and by the late 1960s had became a major theme of his artwork. For the last three decades of his life, Lawrence consistently pursued the Builders motif, creating a sequence of vibrant modernist images that highlight his pervasive humanist vision.
His subjects were carpenters, cabinetmakers, bricklayers, and construction workers in a variety of workaday and family situations. Overall, they came to symbolize some of his larger ideas about American culture, hope, persistence, and the shared responsibility for transforming society, inspired, as he once said, by his “own observations of the human condition.”
Away from Harlem and the urban environment that he had grown up in, Lawrence increasingly pursued more symbolic and universal subjects that were less overtly grounded in contemporary social issues than much of his earlier art. At the same time, the new work was also the result of his continued growth as an artist. As he explained in 1974, it was a “broadening of imagery, an expansion of my humanist concept. … like most artists, I’m expanding, probing, constantly seeking new symbols—always within the humanist context.”
Norman Lewis
Norman W. Lewis (1909-1979) was a Black American painter, of Bermudan descent, associated with the Harlem Renaissance and the Abstract Expressionist movement. Lewis was a member of the tight-knit Harlem artistic community, known as the 306 Group, which included prominent African American artists such as Romare Bearden and Jacob Lawrence. Continue reading Norman Lewis
Swans Reflecting Elephants
Artist: Salvador Dalí
Medium: oil on canvas
Date: c. 1937
Miguel Covarrubias
Miguel Covarrubias was a Mexican artist who is best known for his work as an illustrator, writer, and anthropologist. Covarrubias’ style was highly influential in America, especially in the 1920s and 1930s, and his artwork and caricatures of influential politicians and artists were featured on the covers of The New Yorker and Vanity Fair. Covarrubias’ artwork displayed his keen interest in anthropology and cultural studies. Continue reading Miguel Covarrubias
Aspects of Negro Life
Artist: Aaron Douglas
Medium: Mural at Schomburg Center for Research in Black Culture, NYC, NY (formerly New York Public Library’s 135th Street branch)
Date: c. 1934
In 1934, Aaron Douglas was commissioned, under the sponsorship of the Public Works of Art Project (PWAP), the first relief program for artists sponsored by President Franklin Roosevelt’s New Deal, to paint a series of murals for the135th Street branch of the New York Public Library.
One his best-known works, the Aspects of Negro Life series is characteristic of Douglas’s style, with graphically incisive motifs and the dynamic incorporation of such influences as African sculpture, jazz music, dance, and abstract geometric forms. The four panels chart the progression of African Americans through slavery, the Reconstruction period, the Northern Migration, and the Great Depression. Using a stylized vocabulary, Douglas conveyed political and social messages and included allusions to Marxist theory that he and others in Harlem studied in the mid‐1930s.
The series reveals the bold modernist risks Douglas was prepared to take at a time when regionalism was the norm. The layered, condensed space, geometric forms, and silhouettes draw on African, cubist, and constructivist motifs in an allegorical representation of issues central to African American history and contemporary life.
Femme Assise Dans Un Jardin
Artist: Pablo Picasso
Medium: oil on canvas
Date: c. 1938
Jacqueline aux Fleurs
Artist: Pablo Picasso
Medium: oil on canvas
Date: c. 1954